Adobe Books in San Francisco’s Mission District sponsored many events for Lit Quake 2018 and on Saturday, October 20th they sponsored contributors of CCSF’s Forum Literary Magazine for the final day of Lit Crawl 2018!!
The well-attended event on Saturday, October 20th at 6pm had writers Jackie Davis-Martin, Matt Andrews, bloodflower, Vincent Calvarese, Matt Luedke and Zachariah Hauptman.
Forum Magazine would like to thank Adobe Books, CCSF English Department faculty Jen Sullivan-Brych, Jackie Davis-Martin, Chante McCormick, John Isles, Julie Young, Leila Easa, Cullen Bailey Burns .
Help support the publication of Forum Magazine, City College of San Francisco’s literary journal. Members from the community will be reading poetry, and all donations are appreciated. Food and drinks are free but limited, and available for purchase.
Inspired by a short cellphone video of a raft of refugees, shot by a tourist from the deck of a cruise ship, Merle Kröger and Philip Scheffner created both a feature film and a novel, Havarie (Collision). Scheffner’s film loops the original clip into a haunting 90-minute “slow cinema” hallucination and meditation on the nature of refugees, while Kröger’s book unspools a crime story from the same collection of characters. Kröger reads from her book, followed by a screening of Havarie, and then an onstage discussion with both Kröger and Scheffner. Moderated by CCA film professor Nilgun Bayraktar. (LitQuake 2017)
Modern and Contemporary Works on Paper and Animations
By Katie Dalla, Forum Poetry Editor
It’s not often that an art exhibit representing a country goes to the extent of actually showcasing remains of its own citizens.
No, nobody’s limbs were severed and put on a podium, but Teresa Margolles’ vibrant yet grotesque 2003 piece, Papeles, brings you bodily fluids in a surprisingly beautiful arrangement.
The piece takes up a whole wall and displays large rectangular sheets containing streaked patterns of brown and yellow hues that, juxtaposed together, bring to mind the splendor of a moth’s wings. But the beauty is met with an equal amount of repulsion: Margolles used the post- autopsy water from the victims of narcoviolencia—or those individuals that experienced the fatal repercussions of drug trafficking. The water came right from the Mexico City morgue.
Each paper represents an individual portrait of a person and their remaining traces of life. You can’t help but feel a bit tricked — your first feeling is sheer warmth from the luminosity and size of the work, but as you step in closer to read the details, you immediately get a lump in your throat and feel the need to back away slowly, frantically searching for mutual glances of horror from the other onlookers. Margolles’ bold statement effectively demands a reaction to an ongoing issue that has caused so many deaths and so much strife in Mexico. She also gives an odd vibrance to each portrait as she has, in fact, captured their final essence, and in the most direct way possible, Margolles brings a part of Mexico to you.
“Now they were right in the center of town. There was so much to see that George did not know where to look first.” (from Curious George Takes A Job)
This weekend, the starving student and Bank of America customer that I am paid a visit to the Contemporary Jewish Museum for its “Curious George Saves the Day” exhibit, which runs through March 13. Through the Museums On Us program, on certain weekends you can get into certain museums for free, and this past weekend I decided that my free museum visit would be to the CJM.
I was excited the first time, last month, that I saw the streetlight banner ads for this exhibit waving throughout downtown San Francisco. In addition to the fact that the Curious George books were among my favorites (I can distinctly remember first coming across them in the library of my elementary school when I was in the first grade), Margaret and H.A. Rey are key literary figures. In the literary community, children’s books authors don’t always get the kind of recognition that their mainstream peers do, unless they are staples such as Lewis Carroll and Laura Ingalls Wilder. (In fact, the work of both Wilder and the Reys are nearly contemporaneous.) Also complicating matters is when the authors are also the illustrators. Are the authors staples of literature or art? The Reys took as much care with their drawings as they did with their prose. For example, Margaret had once explained the challenge of writing for children: that she had a very limited vocabulary to choose from because the target audience wasn’t yet accustomed to using a wide variety of verbs and adjectives. Personally, I would conclude that the Reys are key literary figures, if not heroes, for mastering this unique narrative structure. Continue reading →