Category Archives: News

Spring Submissions Closed; Still Seeking Ferlinghetti-inspired Work Till march 5th

“Poetry is the shadow cast by our streetlight imaginations.”
― Lawrence Ferlinghetti

Regular submissions for Forum Magazine are closed.

Special flash call of submissions in honor of Lawrence Ferlinghetti is due by March 5th until Midnight PST.

**Photo credit of Lawrence Ferlinghetti is “Happy Birthday Lawrence Ferlinghetti” by Christopher.Michel is licensed under CC BY 2.0

Fiction Reading with Mimi Lok

The Creative Writing Program at City College of San Francisco is delighted to host a reading and discussion with fiction writer Mimi Lok!

Mimi Lok is the author of the story collection Last Of Her Name, published October 2019 by Kaya Press. She is the winner of the 2020 PEN/Robert W. Bingham Prize for debut short story collection, a California Book Award silver medal, and a Smithsonian Ingenuity Award. She is also a finalist for the 2020 National Magazine Award, Northern California Book Award, and CLMP Firecracker Award. Mimi’s work can be found in McSweeney’s, Electric Literature, Lucky Peach, Hyphen, the South China Morning Post, and elsewhere. She is currently working on a novel. Mimi is also the founding director and executive editor of Voice of Witness, an award-winning human rights & oral history nonprofit that amplifies marginalized voices through a book series and a national education program. UK-born and raised, she has lived and worked in China and is currently based in the US.

When

Tue, March 2, 2021
7:00 PM – 8:00 PM PST

Where

Register on Eventbrite to access the Zoom invitation!
https://www.eventbrite.com/e/fiction-reading-with-mimi-lok-tickets-142303362187

2021-03-02T19:00:00

  days

  hours  minutes  seconds

until

GET LIT

Lit Night is back! Have you been churning out poems and stories and essays that you are desperate to share ? Are you perhaps looking for inspiration and a regular meet up with fellow writers?

Next Lit Night fun is February 15th. The theme is HOPE.

Visit litnight.org for themes, dates and Zoom links!

Lit Night is every third Monday from 7:30-9:00PM

Come join the fun!

Lit+Night+Logo+white

sifted bones

Crimson bleeds
on her clean pink jumper,
blooming,
like Poppies in October,
the Plath poem
which has nothing to do with poppies,
the wounded woman’s
heart a watercolor seeping.

Fresh ruby drops
just as we were ready to go home,
declaring a reminder
that everything is not normal, everything
is not as it should be, but the portals are open
the veins are still alert,
dripping,
as the nurse removes the plastic tubing dangling from the crook of her arm,
a thief tapping into a pot of gold
striking it rich before her veins collapse.

I want to slide inside
a pair of Emily‘s flannel pajamas,
slip into my bed and pretend that everything
will be fine,
that she will be here
to create art with me in my retirement
in her little downstairs studio,
with gelli plates
squeezing tubes of fine gold acrylic
rolling, watching it smear and shine
translucent spreading
onto every inch of plain paper.

Snuggling beside her
in the hospital bed feeling her beating
heart, holding
her hand and we are laughing
at Jim Carrey impugning god in Bruce Almighty
when she asks me quietly,
Do you know whether you want to be cremated or what?
Emily who has organized everything
down to the intimate
notes she has kept for 20 years,
then carefully hand bound into a creative atlas
to celebrate a life,
has not prepared her burial plans.
She is leaving
that up to us to spread
her sifted bones.

Diana Feiger grew up in Sandwich, Kent, UK and moved to the Bay Area in 1986. She finds inspiration in nature and from the miraculous and mundane aspects of life. Small moments and phrases can capture the imagination.

Happy Pine Cone, Charcoal Drawing by Travis Yallup

Travis Yallup is a contemporary realist who lives and works in San Francisco. He has studied art at various colleges and universities over the past eleven years and has developed a preference for drawing and painting in a variety of mediums. His  focus usually comes from life, photos, and collages and he often draws an inspiration from influences such as Andrew Wyeth and Vija Celmins.

“my new friend”

“my new friend”

don’t follow me like that
with your sleazy saunter
and those toned (bone-d) twigs
wobbling wedges
dollbaby dress
hippie handbag
and impossibly long locks
the color of crows (screaming murder!)
the color of cats, those black island cats, following me all over
staring me down with eyes the color of citrine

don’t look at me like that
holding your ground as i back toward my car
posing against the cemeterial scene
thousands of stones
millions of bones
dressed in summer green with floral accents
languidly tossing, up and down, up and down, a white ball
daring me to hold my ground
staring me down through eyes the color of that ball
(eyes with no color at all)
don’t haunt me like that

the other patron in the red water bar
the passenger in the back seat of my car
the visitor at my bedroom door that’s ajar
silent, insistent
that we go back to play at the alae*

*alae – a cemetery outside hilo, a city on hawaii’s big island

Sarah Elliott is a poet, classical pianist, and opera coach, who in her spare time practices law in San Francisco.

Children Forever Dream, Victor Bhatti

Born in Karachi, Pakistan, Victor Bhatti started practicing graffiti art on paper at the age of 8, emboldened by the walls around his neighborhood. He works in a number of mediums, including spray paint, airbrush, acrylics, oils, pastels, color pencil, and more. Children Forever Dream is the name of an artist collective he founded to bring together community artists and inspire the next generation.

Solanum Lycopersicum

light from overhead fixtures

reflects off of your hallowed surface

like distant low beams

cutting through fog 

 

cold and unyielding

though supple in places,

your smooth skin covers familiar topography

in reds and oranges so fine

hiding the vulnerable flesh within 

 

nightshade sepal

that you wear as a crown

does it remind you of the flower

which commenced your only season? 

 

your scent is strongest

at the point where you jettisoned the connection

to the vine of your birth

leaving behind countless brothers and sisters

to find your destiny before my eyes 

 

thank you.

Written By: Steven Louis Ray

Steven Louis Ray is a multidisciplinary artist working in traditional film and darkroom processes, in addition to writing and recording experimental music and writing poetry. He’s currently slogging his way to a creative writing certificate and studying printmaking at City College of San Francisco. More of his photography can be viewed at stevenlouisray.com

Copy of The Little People in Our Plants_Visual Arts_Procreate Digital Illustration

Art Title: The Little People in our Plants

Artist: Bianca Joy Catolos

Bianca Joy Catolos is a graphic designer based in the Bay Area  with a passion for drawing and illustration. She illustrates to document memories, stories, and assets of life in a quirky, abstract and colorful way to share and commentate how she sees people and world. Bianca is a digital artist with a traditional background in painting and often mixes the two to create endless worlds and scenes to fuel the imagination.

Bag of Marbles

We were shooting marbles with our older brother

Arnulfo kneeling on a patch of dirt

Front of a mud brown apartment building 

 

Clink as one marble collides      into another

He won a ruby glass Cleary 

 

Shiny marbles, shiny joy in our eyes

As he was 27 and playing with us kids

My little brother Herbie and me

Written By: Rocio Ramirez

Rocio Ramirez is a Counselor who works with families. She has a Masters in Counseling Psychology and a Certificate in Expressive arts therapies. She has been a Presenter for IVAT, Center for the Prevention of Abuse and Trauma, in La Jolla. She has recently presented on the use of Sandplay therapy and Collage with Domestic violence survivors. She is currently writing a book on sandplay therapy and art therapy with disenfranchised populations. She is always happiest when she is next to the sea.

Copy of Canid I_Visual Arts_Pastel on Stipple Paper

Art Title: Canid I

Artist: Teresa Beatty

San Francisco based artist, Teresa Beatty, has spent the last few years honing her skills in printmaking and drawing. Her interests span from scientific illustration to art therapy. In pursuit of bettering her craft she’s traveled across the globe. She uses art as a tool for healing, expression and connection.

Sticky Pavement

Tense, blurry sight. 

Status? Stagnant water 

without the contemplation. 

 

A deep-rooted 

spinal itch, 

trails like a trickle, 

not cool,

not sweet, 

up to my neck and down 

to my tailbone. 

 

Let me breathe myself 

into the night air that drifts 

and clings to my nose tip 

ears, eyebrows, lips, 

chest. 

 

I want to melt 

into the sticky pavement 

because it sounds cool 

and might smell like 

woodsmoke, 

carried on the rain. 

 

But I am filled with string, 

muffled and amassed like 

cobwebs and candyfloss. 

 

Tense-eyed, blurry sight and heated cheeks from stagnant 

studying, still water but without the contemplation but instead a deep- 

rooted spinal itch trailing like a trickle, not cool, not sweet, up to 

my neck and down 

to my tailbone. 

 

Let me breathe 

 

breathe myself into the night air that drifts so sweetly across, clings ever-so 

slightly to my nose tip, ears, dry lips, 

tongue, chest. And let me forget all the rest, that mass of muffled string filling 

me so unproductively. Yes I know it’s me but how can I help myself when 

 

I want to melt into the sticky pavement because it sounds cool and 

might smell like woodsmoke floating on the rain. Bathe me in the white light that’s dulled 

by the misted streets, let it seep into my pores and line my lungs so they fill. 

 

I am filled with string, taught, but with too much of it, strung energy 

with nowhere to project to.

Written By: Helen Halliwell

Originally from England, Helen is currently studying English Literature in the Bay Area, and hopes to one day move back to the UK to continue studying and pursue teaching. When not reading or writing, she tries to keep a keen eye out for things in people or nature to inspire her poetry, stories, and sketches.

Copy of Canid IV_Visual Arts_Linocut Print

Art Title: Canid IV

Artist: Teresa Beatty

San Francisco based artist, Teresa Beatty, has spent the last few years honing her skills in printmaking and drawing. Her interests span from scientific illustration to art therapy. In pursuit of bettering her craft she’s traveled across the globe. She uses art as a tool for healing, expression and connection.

Neon Pharmacy

I know I’ve stepped on sands of beaches

hit on all sixes; shot the Chicago typewriter

mammy cradles Jazzbo to the living end

near the villa I kiss his warm lips,

tarot cards over dry lake beds

near Missouri tugboats

map my route

wings flap like coattails as

anchors fall from the sky

leaving their sailor moon

over the lily pond snowflakes mix

like neon pharmacy by the candy aisle

butterflies land, colors camouflaged.

in the backyard the dog gathers bones

to study archaeology

the sound of crab apples in the distance

lingers in the key of leaving

chopsticks click; once conjoined

the capo slides onto the guitar 

Written By: Gloria Keeley

I’m a graduate of San Francisco State University with a BA and MA in Creative Writing.  My work has appeared in Spoon River Poetry Review, Slipstream, FORUM and other journals. I graduated from CCSF and I taught at CCSF for 34 years and was the editor of FORUM in 1969.

Copy of ornithophobia_Visual Arts_photography

Art Title: Ornithophobia

Artist: Eunbin Lee

I am a student studying photography  from Korea. Living in a new culture and environment of the United States, I try to express through pictures what I felt based on various daily experiences. I feel a sense of freedom by expressing it through my photographs rather than words. I hope people can feel the feelings that I want to convey through my photos.

Court Geometry

r           r

  u      e

     b b

pavement 

 

cassette tape beat

don’t chase the ball into the street 

l            r

  e       e

    a th

hardwood 

 

scoreboard screams

television bleacher dreams 

 

he and i memorize the lines

— on the court

on the ball —

in our pronouns 

 

sweat and contact and equipment closet-

ed

after practice 

 

one on one 

 

a timeout stolen from the game with no final buzzer

in which every move is a statistic

and on the line is

out

Written By: Matt Luedke

Matt Luedke is a former editor of Forum who continues to be inspired by the writing community he’s found through CCSF. He has also been published in Prairie Light Review and Ripples in Space. Links to his published works are at mattluedke.com.