by Kristine Nodalo
Charles Bukowski is one of the most prolific and vulgar writers out there. He stood at five feet eleven, often wearing a collared button-down shirt, with a chest pocket consisting of a few pens peeking out of it, covering a beer belly that hung over his waistline–a reminder of his romance with alcohol. His large, bulbous nose shadowed over stained nicotine yellow teeth. His ravaged face was marked with scars and blemishes, resembling the hard life he lived. He sauntered his way to each of the bars he made his second home and wrote at his first when he wasn’t. Nobody would have expected the success he had by just looking at him and his lifestyle, for Bukowski’s prose and poetry has been translated into twenty-one languages, sales for his books rise every year, and a great amount of avid Bukowski readers live all over the world. Charles Bukowski’s unique life experiences made him a successful writer, as they enabled him to color his writing with the kind of simplicity, tough, vicious honesty, and straight forwardness it bears that makes it different from others, revolutionizing literature and poetry, also providing consolation and representation, specifically for the underdogs of society—blue collared workers, prostitutes, and drunks—at the same time. Continue reading “Bukowski” by Kristine Nodalo
How to Tell a True War Story
by Ava Stewart
Ava Stewart is a student at CCSF from Santa Cruz, CA. While spending a year in a half in Tucson at the University of Arizona, she studied the works of war author Tim O’Brien during in an English class over the course of a year. Shared below is a review of one of her favorite literary pieces, “How To Tell a True War Story,” a reflective piece O’Brien wrote to illustrate the rogue beauty of the trauma and devastation he experienced during the Vietnam War.
O’Brien paints a stunning visual in “How to Tell a True War Story” that seeks to investigate the truth in war stories being told by Vietnam veterans. Whether exaggerations or fact, the narrator seeks to guide views as best as he can through his experiences in Vietnam when he was serving during the war. The narrator bases a majority of the story around the death of a close friend of his who was killed suddenly by a small land mine as he was walking in the forest of Vietnam. He follows this with other stories that occurred (or did they?) because of his passing. Continue reading “How to Tell a True War Story” by Ava Stewart
Right on the Money: One Dollar Stories by Jessica Garrison
by Howard Brad Halverson
We met at bar in LA. She was introduced to me because I was caught conversating about Georges Bataille the night before, the hostess of the party being so taken aback by this, exclaiming in shock “someone is talking about books at my party?” She subsequently had to introduce me to her writer friend. It was a sunny Sunday afternoon and I shared my cigarettes with Jessica, rolling one for her and one for our liaison too. Ms. Garrison had such a quiet composition, placid, and let me talk at her about my ideas of writing. It was so casual the thing called networking didn’t seem to apply. But we exchanged emails, sent a few brief messages then she all but disappeared from my conscious until a year or so had lapsed and I was gutting out my inbox and stumbled across an old message for a reading she was part of. I followed the link in the email, vaguely recalling her to discover she recently published a collection of stories. One Dollar Stories is the title. I ordered a copy immediately intrigued to learn more about the aspiring author.
Continue reading Right on the Money: One Dollar Stories by Jessica Garrison
Aubrey, Maturin and HMS Surprise
by Forum editor
HMS Surprise is the third in Patrick O’Brian’s popular and well regarded series of Aubrey/Maturin novels. The series is centered around the lives of Royal Navy captain Jack Aubrey and his close friend naval surgeon and intelligence operative Dr. Stephen Maturin during the Napoleonic War era. HMS Surprise was the first book in the series I had read and I found the opening a little jarring. It wasn’t that it wasn’t well written it was more a matter of its style. O’Brian was well known for his attention to period detail and period language. This attention to language extends to the the way in which the books are written and in fact, the narrator’s voice is strongly reminiscent of that time; there is something decidedly old-fashioned about O’Brian’s prose. Also jarring was the rather domestic bent of the early chapters. The novel opens with a somewhat technical meeting of elements of the British Admiralty and goes on to relate Aubrey’s efforts to get out of debt and marry his sweetheart as well as Maturin’s thoughts about the woman he is in love with.