The stairs to the backyard are dusty with un-swept dog hair. They cling to my footsteps as I run by; the need to follow still hiding in their genes. The chickens peck holes into the sweet nasturtium caging them in. An unlucky worm is found between stalks and chicken wire. The path to the shed shows signs of neglect: unattended plants causing havoc, a meandering line of clovers that peek through cracks in the bricks we placed last spring. I shove the swollen door, the rain has been thick. Inside your old shed: fallen coins from your pockets forgotten on the floor, a lucky bamboo shoot, its small green leaf not yet wilted. I linger in the doorway. The chicken scrapes her heels into the ground.
The strawberries grow wild in the dirt next to me. Their sweetness untamed.
Our Backyard After You Left by Valeri Alemania
Valeri Alemania is a Bay Area writer living in San Francisco. She has a B.A. in Creative Writing from San Francisco State University. She was previously awarded first place in the Short Story section of the Diablo Valley College Creative Writing Contest.
Isabella Antenucci is an artist, writer and blue collar worker that lives in the San Francisco Bay Area.
About the Author: I’m a graduate of San Francisco State University with a BA and MA in Creative Writing. My work has appeared in Spoon River Poetry Review, Slipstream, FORUM and other journals. I graduated from CCSF and I taught at CCSF for 34 years and was the editor of FORUM in 1969.
Down the Long Night
think beehive and
private tiny entrances
the Poseidon of the garden
through the maze
the span to the end
a trail of stings
four quiet wings
float nectar to nectar
returning to their hive
shakes down their dreamland
notes progress horizontal
soft now, like cotton
“Nature Boy” by Miles Davis
lulls baby bees to sleep
Visual Art Piece “Lawson” By: Erick Orihuela
About the Artist: Erick Orihuela is an Ethnic Studies and Film as Literature high school teacher. He grew up in the Mission District after moving from Mexico City. For him, teaching is a means of showing people his favorite philosophers: Frantz Fanon, Silvia Federici, San Te of the Shaolin Temple, and MF Doom. He takes pictures to better balance work and ludic activities.
Modern and Contemporary Works on Paper and Animations
By Katie Dalla, Forum Poetry Editor
It’s not often that an art exhibit representing a country goes to the extent of actually showcasing remains of its own citizens.
No, nobody’s limbs were severed and put on a podium, but Teresa Margolles’ vibrant yet grotesque 2003 piece, Papeles, brings you bodily fluids in a surprisingly beautiful arrangement.
The piece takes up a whole wall and displays large rectangular sheets containing streaked patterns of brown and yellow hues that, juxtaposed together, bring to mind the splendor of a moth’s wings. But the beauty is met with an equal amount of repulsion: Margolles used the post- autopsy water from the victims of narcoviolencia—or those individuals that experienced the fatal repercussions of drug trafficking. The water came right from the Mexico City morgue.
Each paper represents an individual portrait of a person and their remaining traces of life. You can’t help but feel a bit tricked — your first feeling is sheer warmth from the luminosity and size of the work, but as you step in closer to read the details, you immediately get a lump in your throat and feel the need to back away slowly, frantically searching for mutual glances of horror from the other onlookers. Margolles’ bold statement effectively demands a reaction to an ongoing issue that has caused so many deaths and so much strife in Mexico. She also gives an odd vibrance to each portrait as she has, in fact, captured their final essence, and in the most direct way possible, Margolles brings a part of Mexico to you.